Feng Chun Ma
  • PFE 11 blue and white and polychrome armorial dish
PFE 11 blue and white and polychrome armorial dish
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Feng Chun Ma
Address:
Weerdestein 182 ,
1083 GM Amsterdam
Region: Noord-Holland
Country: The-Netherlands
Tel.: +31 (0)20 420 82 48
E-mail: fcma@fengchunma.com
Website: www.fengchunma.com
PF 52 A famille verte biscuit model of a lady’s shoe<br><br>清康熙 素三彩繡花鞋型筆洗

PF 52 A famille verte biscuit model of a lady’s shoe

清康熙 素三彩繡花鞋型筆洗

Kangxi (1662-1722)

The lady's shoe is in the shape of an early Ming satin model with an embroidered top, and a piece of damask is attached to the heel (see a pair of shoes found in an early Ming lady's tomb).
It is glazed in yellow and enamels, details in relief of a stylised animal's mask in green and aubergine. 
Length 9.5 cm

This so-called' lotus' shoe was meant for a lady's bound foot.
In traditional China, especially during the Song (960-1279) throughout the Qing (1644-1912) dynasties, the bound feet were considered the most intimate and erotic part of a woman's body, symbols of feminine beauty, elegance and sexuality. Therefore, small-sized shoes were deeply intertwined with sexuality, eroticism, and patriarchal perceptions of femininity.

 

PF 52 清康熙 素三彩繡花鞋型筆洗

此品造形取法明早期緞面繡花鞋，鞋面飾以刺繡紋樣，後跟處見綾緞紋（參考明代早期女性墓葬出土之鞋履實物）。通體施琺瑯黃釉，鞋頭處浮雕蛾紋，施綠、紫色釉。

長9.5公分


 

 
PF 30 A Pair Of Famille-Verte Biscuit Figures Of A Boy On A Buffalo<br><br>清康熙 素三彩牧童臥牛 一對

PF 30 A Pair Of Famille-Verte Biscuit Figures Of A Boy On A Buffalo

清康熙 素三彩牧童臥牛 一對

Kangxi period (1662-1722)

Each is modelled in mirror image in the form of a boy lying on the back of a buffalo. Each animal, standing four-square looking to the right or to the left, is realistically depicted and glazed in a strong aubergine colour, the hooves dark brown below a narrow unglazed band. Each boy lies on his front, holding a ruyi scepter in one hand, his straw hat on his back.
Each is wearing a green tunic over yellow trousers, the smiling face in biscuit under black hair.

Length: 19.5 cm; height: 13.5 cm

Provenance: Feng-Chun Ma, Amsterdam

Published in Feng-Chun Ma, A Thousand Years of Hundred Boys in Chinese Art, 10th–20th Century (Hong Kong: CA Book Publishing, 2024), 108.

The herd-boy and the buffalo are depicted in a relaxed mood after their work is finished, ready to return home.

 

PF 30 清康熙 素三彩牧童臥牛 一對

水牛四足穩立，或向右或向左顧盼，造型寫實，通體施濃郁茄紫釉，蹄部呈深褐色，蹄上留一圈素胎。童子俯臥其上，一手持如意，草帽置於背後。童子身著綠色上衣與黃色長褲，面容含笑，以素胎呈現膚色，配以黑髮。
牧童與水牛神情閒適，正準備歸返家園。

長：19.5 公分；高：13.5 公分

來源：Feng-Chun Ma, Amsterdam

出版：馬鳳春《千年百子─十至二十世紀中國藝術中的嬰戲圖》(香港：CA Book Publishing, 2024)，頁108.
PF 52 A famille verte biscuit model of a lady’s shoe<br><br>清康熙 素三彩繡花鞋型筆洗

PF 52 A famille verte biscuit model of a lady’s shoe

清康熙 素三彩繡花鞋型筆洗

Kangxi (1662-1722)

The lady's shoe is in the shape of an early Ming satin model with an embroidered top, and a piece of damask is attached to the heel (see a pair of shoes found in an early Ming lady's tomb).
It is glazed in yellow and enamels, details in relief of a stylised animal's mask in green and aubergine. 
Length 9.5 cm

This so-called' lotus' shoe was meant for a lady's bound foot.
In traditional China, especially during the Song (960-1279) throughout the Qing (1644-1912) dynasties, the bound feet were considered the most intimate and erotic part of a woman's body, symbols of feminine beauty, elegance and sexuality. Therefore, small-sized shoes were deeply intertwined with sexuality, eroticism, and patriarchal perceptions of femininity.

 

PF 52 清康熙 素三彩繡花鞋型筆洗

此品造形取法明早期緞面繡花鞋，鞋面飾以刺繡紋樣，後跟處見綾緞紋（參考明代早期女性墓葬出土之鞋履實物）。通體施琺瑯黃釉，鞋頭處浮雕蛾紋，施綠、紫色釉。

長9.5公分


 

 
PAFE 12 A painting by Liu Xun<br><br>劉珣 寫意山水

PAFE 12 A painting by Liu Xun

劉珣 寫意山水

RAINY LANDSCAPE
Hanging scroll, ink on paper

Signed: 隆(隴)南 劉珣 寫意  (Liu Xun from Longnan, free brushwork); with two seals of the artist

109 x 56 cm 

Provenance: Mr. Carl Barkman, Dutch diplomat in Beijing in the 1960s

 

劉珣 《寫意山水》

此畫描繪煙雨山景。

屬款：隆(隴)南 劉珣 寫意

109 x 56 cm 

來源：1960年代駐北京之荷蘭外交官Carl Barkman收藏
 

 
WF 50 A parcel-gilt bronze group of Shoulao and deer<br><br>十七或十八世紀 銅局部鎏金壽老騎鹿像

WF 50 A parcel-gilt bronze group of Shoulao and deer

十七或十八世紀 銅局部鎏金壽老騎鹿像

17th/18th century 

The Immortal is seated sideways on his recumbent companion, a deer on a circular base, his right hand grasping one of the animal's thin antlers, his left hand holding a scroll. He is clad in long robes tied with a long string below his belly.
His hair is gathered in a knot at the back of his head suspending long ribbons covering his shoulders. The animal with one thin leg lifted and head turned back.
Areas of parcel gilding contrast with the deep brown bronze. The base is partly hollow and is finished with three pins which reveal that the figure was once attached to a larger object, probably a censer.
Height 11 cm

A very similar group, also part of a larger piece, was sold at Spink & Son, Ltd., 4th May 1979

 

WF 50 十七或十八世紀 銅局部鎏金壽老騎鹿像

壽老側坐於伏地瑞鹿之背，下承圓座。壽老右手輕扶鹿角，左手執經卷。身著長袍，腰間束帶。束髮於後，帛帶垂及雙肩。瑞鹿引頸回首，一足微屈，神態靈動。
全器局部鎏金，與古雅之深褐銅色對比鮮明。底座局部中空，存有三枚銷釘，由此推斷此像原應與較大型器物（或為香爐）相連。

高 11 公分

倫敦斯賓克（Spink & Son, Ltd.）曾於1979年5月4日售出一件與本品極其相似之像，其亦為大型器物之部件。
WF 48 A celadon green and russet jade bangle<br><br>明 青玉褐沁手鐲

WF 48 A celadon green and russet jade bangle

明 青玉褐沁手鐲

Ming dynasty 

The rounded sides are carved in low relief with celestial animals including a turtle, a tiger, a snake, a bird and a hare pounding the elixer of long life, below 'ruyi' shaped cloud, the semi-translucent stone of a greyish-green tone with opaque and russet area encircling the sides.
8 cm across 

Provenance: A former Dutch diplomat in Beijing, acquired in the late 1950s

 

WF 48 明 青玉褐沁手鐲

圓環手鐲，以淺浮雕刻飾瑞獸紋樣，包括龜、虎、蛇、鳥及玉兔等，襯以如意形雲紋。玉質半透明，呈灰青色調，間有不透明及褐色沁斑環繞器身。

直徑8公分

來源：曾駐北京之荷蘭外交官於1950年代末獲得之舊藏

 
BF 77 An unusual blue and white 'Kraak' style dish<br><br>清康熙 青花鬱金香五蝠紋小盤

BF 77 An unusual blue and white 'Kraak' style dish

清康熙 青花鬱金香五蝠紋小盤

Kangxi period (1662-1722)

The small dish is painted in bright cobalt blue in the 17th century Ming style with a central roundel of a stylized tulip motif surrounded by a border of five bats divided by tulip heads. The well and everted rim is painted with radiating panels of further stylized tulips growing from a leafy stem divided by smaller panels of a flower spray and beaded panels .
The underside has two shaped panels enclosing a spray of tulip divided by a single flower spray.
Artemisia leaf on the base
Diameter 16.5 cm

It is rare to find a Kangxi dish that imitates the Kraak style so closely as the present example.

 

BF 77 清康熙 青花鬱金香五蝠紋小盤

此盤尺寸精巧，青花發色蒼翠明麗。全器效法十七世紀明代克拉克瓷風格，盤心圓形開光內繪鬱金香紋，外環飾五蝠，間以鬱金香花首。內壁至撇口處繪扇形開光，內飾鬱金香花葉紋，其間點綴折枝花卉及聯珠紋。
外壁另繪兩組開光，內分別飾鬱金香及花卉紋。盤底繪一艾葉紋。
康熙朝瓷器中，如本品般如此精準傳神地摹仿明代克拉克瓷風格者，實屬珍罕難得。

直徑： 16.5 公分
S 47 A blue and white and copper red snuff bottle<br><br>十九世紀 青花釉裡紅鼻煙壺

S 47 A blue and white and copper red snuff bottle

十九世紀 青花釉裡紅鼻煙壺

19th century
The cylindrical bottle with rounded shoulders is surmounted by a waisted neck with lipped rim, resting on a short tapered foot surrounding the recessed base. It is painted in underglaze-blue with a continuous scene of a river landscape with two houses, one on stilts, with a scholar visible in a room, and on the other side, a fisherman in a boat. The trees, wood, and plantation are executed in copper-red.

Stopper in stone, with gilt-metal rim.

Height 7.8 cm (without stopper)

 

S 47 十九世紀 青花釉裡紅鼻煙壺

壺呈圓筒形，折肩，束頸，口沿外撇，底承短而足圈內斂，足內凹底。通體以青花繪江岸山水，一側畫屋舍二間，其一為干欄式建築，室內可見一文人；另一側繪漁翁泛舟。樹林及植被以釉裡紅表現。

石蓋，口沿鑲鎏金金屬邊。

高7.8公分（不含蓋）

 

 
S 48 A blue and white snuff bottle<br><br>十八/十九世紀 青花團龍紋鼻煙壺

S 48 A blue and white snuff bottle

十八/十九世紀 青花團龍紋鼻煙壺

18th/19th century
The bottle is of baluster form resting on a recessed unglazed base, and is surmounted by a short waisted neck with lipped rim.
It is painted with six roundels of four-clawed dragons, each neatly placed within even distance from each other. The neck with a double and the foot with triple line border. Red stone stopper with gilt metal rim and spoon.
Height 6 cm (without stopper)

 

S 48 十八/十九世紀 青花團龍紋鼻煙壺

器呈鼓腹瓶式，底足內凹且未施釉，短束頸，口沿外撇。
通體繪飾六個圓形開光，內各繪四爪龍紋，彼此間距均勻、佈局整齊。頸部有雙線邊飾，足部則有三線邊飾。

紅色石塞，鍍金屬邊，挑匙。
 

高6公分 (不含蓋)

 
S 99 A fossiliferous limestone snuff bottle<br><br>十九世紀中 石化石灰石鼻煙壺

S 99 A fossiliferous limestone snuff bottle

十九世紀中 石化石灰石鼻煙壺

Mid-19th century

The bottle is of flattened rectangular form with rounded shoulders below a slightly waisted neck with a flat lip resting on a neatly carved oval footrim.
The smoothly polished stone has a dense pattern of mushroom-like fossil inclusions amid small circular roundels in gray, yellow and white on an opaque bluish-black body, causing a dramatic effect reminiscent of a moonscape, or the unfathomable sea, where the fossil inclusions unfurl like jellyfish, trailing through the depths.  

Agate stopper with gilt metal rim
Height 6.5 cm (without stopper)

See for fossiliferous limestone snuff bottles: Bob Stevens, 'The Collector's Book of Snuff Bottles', 1976, Nos. 671-678, 681

 

S 99 十九世紀中 石化石灰石鼻煙壺

扁瓶式，肩部圓潤，頸部略收，口沿平整，橢圓形圈足雕工精緻。石質經細緻拋光，通體為不透明黑色，其上密布如菌類狀之化石內含物，間雜米色、灰色與白色的小型圓斑，形成宛如月表的視覺效果，亦如在深海中舞動的水母。

瑪瑙蓋，蓋沿鎏金。

高: 6.5公分（不含蓋）。

 

 
WF 114 A Gilt-bronze Brush Rest<br><br>十七至十八世紀 銅鎏金臥童筆架

WF 114 A Gilt-bronze Brush Rest

十七至十八世紀 銅鎏金臥童筆架

17-18th century

The brush rest is modelled as a smiling boy lying with legs crossed, his head resting on his left arm. His right arm rests at his side, and he holds an ingot in his right hand. His hair is tied in a double topknot, while he wears a tunic with an oval geometric pattern.

Length: 6.1 cm

Provenance: Feng-Chun Ma, Amsterdam

Published in Feng-Chun Ma, A Thousand Years of Hundred Boys in Chinese Art, 10th–20th Century (Hong Kong: CA Book Publishing, 2024), p. 206.

 

WF 114 十七至十八世紀 銅鎏金臥童筆架

筆架呈斜臥男孩之形，男孩身穿裝飾幾何圖案的上衣，頭枕左臂上，右手捧一元寶。

長6.1公分

來源：Feng-Chun Ma, Amsterdam

出版：馬鳳春《千年百子─十至二十世紀中國藝術中的嬰戲圖》(香港：CA Book Publishing, 2024)，頁206。

 
WF 114 A Gilt-bronze Brush Rest<br><br>十七至十八世紀 銅鎏金臥童筆架

WF 114 A Gilt-bronze Brush Rest

十七至十八世紀 銅鎏金臥童筆架

17-18th century

The brush rest is modelled as a smiling boy lying with legs crossed, his head resting on his left arm. His right arm rests at his side, and he holds an ingot in his right hand. His hair is tied in a double topknot, while he wears a tunic with an oval geometric pattern.

Length: 6.1 cm

Provenance: Feng-Chun Ma, Amsterdam

Published in Feng-Chun Ma, A Thousand Years of Hundred Boys in Chinese Art, 10th–20th Century (Hong Kong: CA Book Publishing, 2024), p. 206.

 

WF 114 十七至十八世紀 銅鎏金臥童筆架

筆架呈斜臥男孩之形，男孩身穿裝飾幾何圖案的上衣，頭枕左臂上，右手捧一元寶。

長6.1公分

來源：Feng-Chun Ma, Amsterdam

出版：馬鳳春《千年百子─十至二十世紀中國藝術中的嬰戲圖》(香港：CA Book Publishing, 2024)，頁206。